wiki:unfoolproof-guide-to-a-graphic-design-department-party
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| wiki:unfoolproof-guide-to-a-graphic-design-department-party [2024/10/24 19:36] – student | wiki:unfoolproof-guide-to-a-graphic-design-department-party [2024/10/25 08:55] (current) – [9. Opening the Doors to the Department] student | ||
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| The process of opening a wall, though seemingly straightforward, | The process of opening a wall, though seemingly straightforward, | ||
| - | Once these preliminary considerations have been addressed, the actual act of opening the wall involves the careful and often methodical way of folding up the wall.. Through this effort, the wall transitions from an obstacle of separation into a gateway for light, air, or movement, fulfilling the intended goal of creating an opening where previously none existed. | + | Once these preliminary considerations have been addressed, the actual act of opening the wall involves the careful and often methodical way of folding up the wall. Through this effort, the wall transitions from an obstacle of separation into a gateway for light, air, or movement, fulfilling the intended goal of creating an opening where previously none existed. |
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| ==== 2. Cleaning the Studio ==== | ==== 2. Cleaning the Studio ==== | ||
| - | Get a few friends | + | To embark on the task of cleaning the studio, one must first fully comprehend the multifaceted nature of both the space itself and the process required to restore it to a pristine, organized state. A studio, typically |
| - | === 2.1 The Floor === | + | The process begins with a thorough assessment of the space, identifying areas that need immediate attention—perhaps cluttered workstations, |
| - | Mop up. Go ahead. You know you want to. Just do it. Come on. | + | {{: |
| - | === 2.2 Random bottles and packagings === | ||
| - | |||
| - | Although it's frowned upon, people still leave random stuff they drank, ate or used everywhere across the studio so it's probably best to get rid of it. | ||
| ==== 3. Shopping for Snacks and Drinks ==== | ==== 3. Shopping for Snacks and Drinks ==== | ||
| - | You’ll never know the exact amounts you’ll need anyway so just wing it. You can always go back for some more. | + | To undertake |
| + | |||
| + | Once inside the store, one must begin by selecting snacks, which may involve a deep dive into categories such as chips, pretzels, nuts, or more elaborate treats like cookies and chocolates. Simultaneously, | ||
| === 3.1 People' | === 3.1 People' | ||
| === 3.1.1 Snacks === | === 3.1.1 Snacks === | ||
| + | |||
| + | A party is not a proper one with some great snacks, everybody knows that. These recipes have been tried, tested and approved with empty plates and full stomachs. | ||
| + | |||
| + | Alright, brace yourself—these snacks are about to reach a whole new level of delicious. Here are three snacks so yummy they might just become “cult classics” at your next gathering: | ||
| + | |||
| + | **Tuna Jell-O Squares** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 1 pack lemon-flavored gelatin | ||
| + | |||
| + | 1 can tuna (in water), drained | ||
| + | |||
| + | 1/4 cup diced celery (for “texture”) | ||
| + | |||
| + | A dollop of mayo (for garnish) | ||
| + | |||
| + | Instructions: | ||
| + | |||
| + | Prepare gelatin according to the package, mix in tuna and celery, then pour into a mold to set. Slice into squares and add a dollop of mayo on each. The wobbly, savory, lemony taste sensation will have guests talking—if not taste-testing. | ||
| + | |||
| + | **Olive and White Chocolate Chip Cookies** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 1 batch of chocolate chip cookie dough | ||
| + | |||
| + | 1/4 cup white chocolate chips | ||
| + | |||
| + | 1/4 cup sliced green olives | ||
| + | |||
| + | Instructions: | ||
| + | |||
| + | Mix white chocolate chips and olives into the cookie dough, bake as usual, and watch the flavors blend (or clash) in an unexpected salty-sweet mix that is “truly unforgettable.” | ||
| + | |||
| + | **Sardine Marshmallow Toast** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 1 slice whole grain bread | ||
| + | |||
| + | 2 marshmallows | ||
| + | |||
| + | 1 sardine in oil | ||
| + | |||
| + | A dash of paprika | ||
| + | |||
| + | Instructions: | ||
| + | |||
| + | Toast the bread, add sardines, top with marshmallows, | ||
| + | These snacks are bound to wow your guests with their…creativity. Perfect for the most adventurous (or bewildered) palates! | ||
| {{: | {{: | ||
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| === 3.1.2 Drinks === | === 3.1.2 Drinks === | ||
| - | Everyone loves a good gin and tonic. | + | Everyone loves a good cocktail |
| + | Sometimes the best cocktails come from unexpected ingredients! Here are three “hidden gems” you might consider serving—each guaranteed to surprise, delight, and maybe confuse your guests. | ||
| + | |||
| + | **Cucumber Cinnamon Swizzle** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 2 oz gin | ||
| + | |||
| + | 1/4 oz cinnamon syrup | ||
| + | |||
| + | 3 slices of cucumber | ||
| + | |||
| + | 1 oz tonic water | ||
| + | |||
| + | A sprinkle of pepper (optional) | ||
| + | |||
| + | Instructions: | ||
| + | |||
| + | **Tomato Ginger Mojito** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 2 oz white rum | ||
| + | |||
| + | 4 cherry tomatoes | ||
| + | |||
| + | 1/2 oz ginger syrup | ||
| + | |||
| + | Fresh mint leaves | ||
| + | |||
| + | Club soda | ||
| + | |||
| + | Instructions: | ||
| + | Muddle the tomatoes, ginger syrup, and mint, then add rum. Top with club soda and garnish with a cherry tomato. A truly “refreshing” twist on tradition! | ||
| + | |||
| + | **Pineapple Olive Fizz** | ||
| + | |||
| + | __Ingredients: | ||
| + | |||
| + | 1 oz tequila | ||
| + | |||
| + | 1 oz pineapple juice | ||
| + | |||
| + | 1/2 oz olive brine | ||
| + | |||
| + | Sparkling water | ||
| + | |||
| + | Instructions: | ||
| + | Shake tequila, pineapple juice, and olive brine, then strain into a glass. Top with sparkling water and serve with a skewered olive. For those with a “sophisticated” palate! | ||
| + | |||
| + | {{ : | ||
| ==== 4. Advertising the Party ==== | ==== 4. Advertising the Party ==== | ||
| - | Obviously you need to let the people know that there’s actually | + | Ensuring that the upcoming party is effectively advertised is a task that requires both strategic planning and creative execution. The goal here is not merely to inform potential attendees of the event’s existence but to generate excitement and anticipation, |
| + | |||
| + | Once the medium has been selected, it’s essential to craft the messaging in a way that captures attention | ||
| === 4.1 Poster === | === 4.1 Poster === | ||
| - | {{: | + | Creating a poster for your department’s party is essential because it visually attracts attention and conveys key information in a concise, engaging way. Posters act as quick reference points for potential attendees, showcasing essential details like date, location, and purpose. They’re also a way to build excitement and provide a glimpse of what to expect. A well-designed poster can help your event stand out, reinforce your event’s identity, and generate curiosity. Additionally, |
| + | |||
| + | [{{: | ||
| - | //Poster made by ki5lyy, ricutroll and Mark Kokotov// | ||
| === 4.2 Department email === | === 4.2 Department email === | ||
| + | |||
| + | Sending a department-wide email for a party is essential—possibly the most critical task of the entire event! Imagine this: without that email, no one knows if the party even exists. That email is the glue holding the entire department’s sense of festivity together. It’s not just about informing people; it’s about reassuring them that this is a real party, not a mystical mirage whispered about in the break room. | ||
| + | |||
| + | Firstly, an email provides the crucial details like date, time, and place (unless you want everyone to be fashionably late). But it also gives that gentle reminder of “Yes, please come! You’re invited!” which everyone secretly needs. Plus, the email acts as a powerful archive—imagine historians in the future, piecing together department party details through this email like they’re analyzing ancient scrolls. The email itself is basically a cultural artifact, preserving your department’s unique vibe for generations. | ||
| + | |||
| + | Also, consider the thrill factor: people love getting emails, especially ones that contain hidden messages or cryptic hints about secret party games and elusive snack tables. If you add a suspicious amount of exclamation points or throw in a few emojis, it’s practically an adventure invitation. | ||
| + | |||
| + | Don’t forget the signature line, either; it’s your chance to flex that perfectly balanced blend of formal and festive with something like, “See you there! 🎉” which builds unimaginable excitement. The people reading this email will feel a little spike of joy, like discovering a surprise in their inbox that momentarily distracts them from their spreadsheets. | ||
| + | |||
| + | In short, this email is far more than a party announcement; | ||
| {{: | {{: | ||
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| ==== 5. Bringing and Setting Up DJ Equipment ==== | ==== 5. Bringing and Setting Up DJ Equipment ==== | ||
| - | Helps when you have a friend who already owns the equipment. | + | The task of bringing and setting up DJ equipment involves a level of forethought and preparation that ensures the seamless execution of any event requiring high-quality music. First, one must compile a checklist of all necessary equipment, which typically includes, but is not limited to, turntables or a DJ controller, a mixer, speakers, headphones, cables of various types (such as XLR, RCA, or USB), and perhaps a laptop pre-loaded with software and carefully curated playlists. |
| + | |||
| + | Once the equipment has been safely brought to the venue, the real work begins: setting it up. This process requires careful attention to the layout of the space, ensuring that speakers are placed for optimal sound coverage while considering the acoustics of the room. The DJ booth or table must be arranged to provide easy access to all controls, allowing for seamless transitions between tracks and effects. Power sources need to be identified, cables must be connected securely, and everything should be tested to ensure that audio levels are balanced, the sound quality is crisp, and no unexpected technical issues arise. Only after this meticulous setup can the DJ begin to work their magic, confident that the equipment is ready to deliver the perfect soundtrack for the event. | ||
| {{: | {{: | ||
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| ==== 6. Finding DJs ==== | ==== 6. Finding DJs ==== | ||
| - | The Graphic Design | + | When it comes to the task of finding DJs for an event, one might be inclined to imagine a time-consuming search through various networks or social media platforms, painstakingly reviewing potential candidates. However, in this particular case, the task is made remarkably simple by a fortuitous abundance of talent in an often-overlooked department: the graphic design department. Contrary to what one might initially assume, this department is not merely populated by individuals skilled in visual communication or digital art. In fact, it has become something |
| + | |||
| + | Thus, the easiest part of planning the event is tapping into this pool of musically-inclined individuals. By simply walking through the halls or sending out a quick internal email or message, one will find no shortage of enthusiastic volunteers ready to bring their DJ equipment and talents to the party. This abundance of options means that not only can you easily secure a DJ, but you may also find yourself spoiled for choice, having to narrow down a roster of talented graphic designers who double as skilled DJs. In short, finding DJs is a breeze when you know exactly where to look—especially when that place is already packed with creative minds who are as comfortable behind a turntable as they are behind a computer screen. | ||
| + | |||
| + | {{: | ||
| ==== 7. Opening the Bar ==== | ==== 7. Opening the Bar ==== | ||
| - | This one works in tandem | + | Opening the bar for an event is a task that involves not only the physical act of setting up the space where beverages will be served but also a careful consideration of pricing strategies that are mindful of the unique financial circumstances of the attendees, |
| + | |||
| + | It is of utmost importance to approach this aspect with sensitivity to the economic realities faced by student attendees, who are often operating on tight budgets, juggling tuition fees, and living expenses. Therefore, when establishing prices, it is prudent to implement a pricing strategy that reflects both affordability and value. This could involve introducing special discounts for bulk purchases or creating a “happy hour” during which drinks | ||
| + | |||
| + | {{: | ||
| ==== 8. Dimming the Lights ==== | ==== 8. Dimming the Lights ==== | ||
| + | |||
| + | The act of dimming the lights is an endeavor that carries with it a wealth of atmospheric implications, | ||
| + | |||
| + | Once the decision to dim the lights has been made, the actual implementation involves either adjusting the dimmer switches if available or utilizing remote controls and smart lighting systems designed for such purposes. A gradual reduction in brightness is preferable, as it allows the room to transform seamlessly from a brightly lit space into a softer, more inviting atmosphere. This transition can serve as a visual cue that the event is entering a more relaxed phase, signaling to guests that it is time to unwind and enjoy the experience. Furthermore, | ||
| + | |||
| {{: | {{: | ||
| - | For the best experience acquire some LEDs | ||
| ==== 9. Opening the Doors to the Department ==== | ==== 9. Opening the Doors to the Department ==== | ||
| - | Just have fun | + | The moment has finally arrived to usher in the attendees, marking the culmination of all the planning and preparation that has been meticulously executed in anticipation of this event. To "let the people in" is not merely a logistical task; it represents the gateway to the gathering’s social atmosphere, an opening of the proverbial floodgates that invites excitement, laughter, and camaraderie. This step involves not only the physical act of opening the doors but also extending a warm welcome that sets the tone for the entire experience. As the doors swing open, eager guests will be greeted with a vibrant ambiance and a symphony of sounds, which create an immediate sense of inclusion and anticipation. |
| + | |||
| + | Simultaneously, | ||
| + | |||
| + | {{: | ||
wiki/unfoolproof-guide-to-a-graphic-design-department-party.1729798593.txt.gz · Last modified: 2024/10/24 19:36 by student
